Give a clip the partly reversed tones of a solarized darkroom print. Shadows and midtones stay as they were while the brightest areas flip toward the negative, leaving glowing contours where the two meet.
Threshold and tone reversal
Threshold sets the brightness where reversal begins, from 0 to 255. Tone Reversal sets how far the bright tones move toward the inverted value: 100% is a full flip, lower values give a subtler metallic sheen. Keep Color reverses each color channel; with it off, the output is monochrome.
Footage that works
Solarization is strongest on footage with a wide spread of tones: portraits against bright windows, sky above dark buildings, stage lighting. For a full negative, use the video negative converter.