Add the red fringe that bright lights and edges get on motion-picture film. Lamps, windows, reflections, and backlit hair pick up a warm halo, the look CineStill made familiar on stills and that digital cinematographers add in the grade.
Threshold and spread
Highlight Threshold picks which pixels are bright enough to halate. Halo Spread sets how far the red light travels, as a percentage of the frame. Small spreads give a tight rim; large spreads a wide warm glow.
Amount and color
Halation Amount sets the strength of the effect. Red-Orange Bias moves the halo between deep red and orange. The halo follows every moving light, so night footage with practicals and car lights benefits most.