Add film grain to digital footage. The grain is generated fresh for every frame, which is what makes it read as film rather than a texture stuck to the screen.
Amount, size, and softness
Amount sets how visible the grain is. Grain Size sets the size of the grain clumps: small for fine 35mm stock, large for pushed 16mm or Super 8. Softness blurs the grain slightly so it sits in the image rather than on top of it.
Tones and color
The grain concentrates in the midtones and shadows by default, where film shows it most, and is monochrome, like the grain of a single emulsion. For a full film look with color and halation, use the film stock video emulator.
Grain and compression
Encoders smooth out random detail, so grain that looks right in the preview can come out softer in the file. Export at the source size rather than scaling down, and raise Amount slightly if the result looks too clean.