Give a clip the look of light leaking onto film. Six looks set the colours, the edge the leak enters from and the style of the wash; two sliders set how strong the leak is and how worn the film looks; the leak breathes and drifts over the clip the way a real one would.
Looks
Each look is a colour trio, a placement and a style. Burns enter from an edge with hot streaks; hazes wash the frame evenly; the prism look adds rotated rainbow bands; the analog look leans on fade, grain and dust. The preset select applies the look with the intensity and finish it was tuned for, and the two sliders move from there.
Intensity and finish
Leak intensity scales the glows, streaks and orbs together. Film finish is the rest of the analog character: an S-curve fade with lifted shadows, luminance-masked grain, dust specks and a slight vignette, all applied before the leak so the leak sits on top of the film rather than under it.
Layout and motion
Leak layout is a number that lays out the glows, streaks and orbs; another number gives another arrangement with the same look. The arrangement stays fixed through the clip. On top of it the leak’s strength rises and falls by a few percent and its source wanders slightly, both derived from the source time, so the preview and the export match frame for frame.
Cost
The leak is composed at half resolution and screened over the full frame, so a 720p frame takes about a fifth of a second on a laptop core. Grain and dust run at full resolution and are the part that grows with the export size.