Give a clip the look of a printed comic. Each frame is flattened into a few bands of solid color and the shapes are outlined in black ink.
Flat color
Poster Levels sets how many values each color channel keeps, from 2 (hard, graphic blocks) to 10 (soft shading that still reads as painted). Color Punch raises saturation before the reduction so skin, sky, and clothing land on vivid flat colors instead of muddy ones.
Ink lines
Edge Sensitivity picks which edges get a line. Low values ink only the strong outlines of figures and objects, like a clean-line comic. High values trace texture and small detail, closer to a heavily inked pulp cover. Ink Amount controls how thick and dark the lines print.
Footage that inks well
Lines come from contrast between neighbouring areas, so footage with clear lighting and separated subjects gives bold, stable outlines. Low-light and grainy footage produces speckled lines that flicker between frames. Keep Edge Sensitivity in the lower half for those.
For a bolder dot-screen look, run the halftone video effect instead, or chain both in the video workflow.