Turn a clip into a warm, brown-toned monochrome, the color of early photographic prints and old film. Each frame is converted to tone and mapped onto the sepia color.
Strength and ink tone
Sepia Strength blends the toned frame with the original. Ink Tone moves the color between gold and copper. Tint Density sets how saturated the brown is.
Making it look old
Sepia alone reads as a color grade. For the look of archival footage, add grain and a vignette in the video workflow, or pick a black-and-white base with the black and white video converter and tone it lightly.