VID · Video tools

Autochrome Video Effect

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Settings are written to the URL as you change them. Nothing differs from the defaults yet.

Show a clip as if it had been recorded on an Autochrome plate. Color comes from a mosaic of tiny dyed grains, which gives soft, pointillist color with the dreamy look of early 20th-century photographs.

Grain, saturation, and fading

Grain Size sets the scale of the starch mosaic: small grains read as photographic, large grains as visible dots. Color Saturation sets the strength of the dyes, and Fading lifts and softens the tones as on an aged plate.

Motion

The grain is a fixed structure, so motion reads as the scene moving behind the plate. Slow, gentle footage such as gardens, portraits, and still water fits the period look.

Frequently Asked Questions

The first commercial color photography process, released by the Lumière brothers in 1907. Color came from a layer of microscopic potato starch grains dyed orange-red, green, and violet, which filtered light onto a black-and-white emulsion.

No. The grain mosaic is part of the plate and stays fixed for the whole clip, so the picture moves behind a still screen of colored dots.

Yes. It is relative to the frame, so the preview and export show the same grain structure.

It is copied into the export unchanged when the container can hold its codec, and re-encoded when it cannot. A note under the export button says which happened.

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