VID · Video tools

Video Speed Changer

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Settings are written to the URL as you change them. Nothing differs from the defaults yet.

Change how fast a clip plays and export it as a new file. The preview plays at the chosen speed, with the pitch setting applied, so you can check a voice or a beat before exporting.

Speed

Set a ratio between 0.25× and 4×. Above 1× the clip is shorter, below 1× it is longer: a 60 second clip at 2× lasts 30 seconds, at 0.5× two minutes. The rail shows the new length and frame rate before you export.

Pitch

Speed and pitch are tied together in any recording. Play it faster and every frequency rises with it, which is why sped-up voices sound thin.

  • Keep the original pitch resamples the soundtrack to the new length, then runs the same pitch shifter the audio tools use to move it back. Speech stays intelligible between about 0.5× and 2×. Beyond that range the correction starts to smear drums and consonants.
  • Off leaves the pitch shift in, like a tape machine. Use it for effect, or when the clip has no voice.

Remove audio drops the track, which also skips the pitch work entirely.

Frames

Speeding up keeps every source frame until they would land less than 1/60 of a second apart, then drops the extras. Slowing down stretches each frame’s time on screen without inventing new ones, so the result is only as smooth as the source frame rate allows. For a smooth 0.25× slow motion, start from footage recorded at 120 fps.

Resolution

Every frame is re-encoded, because every timestamp changes. Keep source size unless you need a smaller file; 720p and 1080p scale the frame down, never up.

To slow down only one part of a clip, cut that part out with the video trimmer first. To play a clip backwards, use reverse video, which also reverses the sound.

Frequently Asked Questions

Anything from 0.25× to 4×, typed or dragged. The slider is spaced by ratio, so 0.5× and 2× sit the same distance from 1×. The presets cover the common steps.

Only if you want it to. With Keep the original pitch on, the sound is resampled to the new length and then shifted back to its original pitch. Turn it off and the sound behaves like tape: faster is higher, slower is lower.

Slowing down holds each frame on screen longer; no in-between frames are invented. A 30 fps clip at 0.5× plays at 15 frames per second. Footage shot at 60 or 120 fps slows down far more smoothly.

Frames that would land closer together than 1/60 of a second are dropped, so a 30 fps clip at 4× comes out at 60 fps rather than 120. Players and phones show 60 at most, and the file stays a normal size.

The output keeps the source container: MP4 stays MP4, WebM stays WebM, MOV stays MOV. The video is re-encoded at a high bitrate, because every timestamp changes.

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