Set a speed, set a room, export. The speed is a plain resample, the way a record plays at the wrong RPM, so the tempo and the key move together.
Speed
| Preset | Speed | Pitch | 3:00 becomes |
|---|---|---|---|
| Slowed | 0.8x | -3.86 st | 3:45 |
| Extra slow | 0.7x | -6.17 st | 4:17 |
| Nightcore | 1.25x | +3.86 st | 2:24 |
The slider runs from 0.5x to 1.5x. Below 0.7x vocals take on a heavy, syrupy character, and at 0.5x the song is a full octave down.
The room comes after the slowdown
The order matters more than it looks. In a slowed and reverb edit the reverb is a space the slowed song plays in. If the reverb were added first and the whole thing slowed afterwards, the reverb tail would be stretched and pitched down with the music, so a 2-second decay at 0.7x would become nearly 3 seconds and noticeably darker.
Here the export resamples first and runs the reverb on the slowed signal, which is exactly what the preview plays: the player slows the source, and the reverb runs on what comes out of it.
Reverb controls
The defaults are a large room (size 80%, damping 45%, mix 35%), wetter than the Reverb tool’s own defaults because the genre leans on the wash.
- Room size sets how long the tail lasts.
- Damping takes the high frequencies out of the tail as it decays. Higher values sound like a carpeted hall, lower values like a tiled one.
- Pre-delay holds the reverb back a few milliseconds so the vocal stays in front of it.
- Mix sets how much of the room you hear against the dry song. Above 50% the song starts to sit behind the room rather than in it.
Copyright
Slowing a song down does not change who owns it. A slowed and reverb edit of a commercial track is still that track for licensing and upload filters.